Archives – Chasing Shadows

29/07/202403/02/2025

Marylebone Station Anniversary

Marylebone Station Anniversary

CREATIVE DIRECTION OF ANNIVERSARY INSTALLATION

As part of celebrations to commemorate the 125^th anniversary of London’s Marylebone Station, I was commissioned to design an installation that responded to the historic, contemporary and cultural nuances embodied by the station. Capturing the significant effect the railways had on London’s social and economic landscape which Marylebone Station epitomises, the history of the station is as much, if not more, about the people who created, used, work within and live nearby.

The installation is staged in the entrance to the station which is most closely connected to the area’s residential community, emphasising the deeper connections of the railway and station with the local neighbourhood. Along one wall of the space is a series of panels telling different aspects of the station’s history, while against the adjacent wall hangs a large graphic map designed with Climate Cartographics. Collapsing the spatial connections to Marylebone Station, it layers the topography of the train route, the architecture and uses of the buildings surrounding the station and different cultural details which resonate with those who stop to look.

I worked closely with the project’s commissioners from Baker Street Quarter Partnership and Chiltern Railwaysthroughout, creating a design that responded to the use and nature of the entrance space, respected the Grade II listing of the station building, and conscious of the budget and tight deadline to deliver the complete installation.

Researching Marylebone Station by studying historic maps held by The Portman Estate

The installation explore the ripples of impact and influence the station’s arrival had on the area.

Commuters interacting with the graphic installation’s augmented reality, exploring the cartographic and cultural layers it captures.

31/12/202303/02/2025

Branson

ARCHIVE PRODUCER | 4-PART SERIES [HBO]

Over a period of three years, I helped to research and shape the story-arc of this four-part documentary series about Richard Branson. As a Producer and Archive Producer, I have predominantly worked on character-led documentaries with a historic grounding. Whatever the topic or subject areas I have had the opportunity to help develop and produce, the power of any programme to engage the attention of the viewer lies in the art of narrative.

From his beginnings as a brazen 16-year-old magazine editor to his ecstatic flight on Virgin Galactic, the story of one of Britain’s most flamboyant entrepreneurs came to life through unique access to personal archive material, complemented by contemporary interviews with colleagues, collaborators, friends and family.

As part of a small team making this archive-driven film, I helped to shape and research the story arc of the Branson documentary, arrange filming and maintain contact with contributors throughout the production period. My principal role as archive producer meant both researching and viewing archive material for information, and to help build the story, but also to manage, source and negotiate clearance of all necessary rights for the use of the archive footage and stills across the films and within budget.

Archives // Production // Research // Writing

BRANSON – Documentary (website)

20/03/202303/02/2025

Penn Club

Design & produce exhibition

The Penn Club was founded in 1920 to offer a place for people to meet, renew existing friendships and forge new ones. I was approached to design an exhibition to mark the centenary of this club, created by members of the Friends Ambulance Unit, conscientious objectors during the First World War.

Taking cues from the Club’s archive, I researched the broader social history of key moments from the last hundred years which resonated with the Club’s history, and events relevant to the Club’s location in Bloomsbury, London. I began to form a narrative for the exhibition, built around the Club’s founding elements, and continuing ethos – community, place, and people – which were enriched by anecdotes and descriptions from the archives of specific events and characters.

Front entrance to Penn Club, Bloomsbury

Penn Club Residents Log

Consulting with the steering committee established to oversee the celebrations to mark the Club’s anniversary, I advised them on appropriate style of design and production formats, taking into consideration the desire to tour the exhibition to relevant and sympathetic locations, and the display potential within the Club itself.

Archives // Design // Strategy

Panels of the Penn Club Centenary exhibition, on display in the Club’s library

16/03/202303/02/2025

Will Alsop Painting Archive

Introduction to Seeing Things Differently

Will Alsop Painting Archive

“SEEING THINGS DIFFERENTLY” – AD ARTICLE

The Marco Goldschmied Foundation was looking at ways to utilise their collection of paintings by architect Will Alsop (1947-2018). I was approached by the charity, which supports organisations providing opportunities for the study of architecture and the arts, particularly to students from underprivileged and disadvantaged circumstances, to help them create strategies for the archive of paintings, beginning with a full and detailed catalogue of the collection; considering ways to utilise the collection for specific fundraising possibilities for education and dissemination of the collection; and developing overall branding and outreach strategies for the Foundation.

In 2022, the journal Architectural Design published a special edition focused on Will Alsop to mark what would have been his 75th birthday. I was asked to write an article to contribute to the journal, reflecting on the painting collection held by the MGF.

The article looked at Alsop’s history with painting and representation, from his time at Northampton Art School, education at the Architectural Association in London, and most significantly his chance encounter with sculptor Bruce McLean at Riverside Studios, Hammersmith, which turned into a lifelong friendship. Alongside this, by focusing on specific paintings from the MGF collection, the article considered Alsop’s greatest skill: his ability to understand how painting could capture an emotion, enabling an inclusivity of conversation between users, clients and the design team about a scheme which transcended the boundaries created by technical and architectural plans.

Archives // Publication // Strategy // Writing

“Seeing things Differently: Painting, the object and the art of conversation” – article written by Clare Hamman for Architectural Design, September 2022